This Is the Person I Was Telling You About
By Miranda July
- Size
- 60 x 80 cm
- No of editions
- 40
We ship in 48 hours and if you are unhappy with your purchase, returns are free. (more info)
Our Frames
Our frames are off the wall
German crafted professional grade frames in black and white individually crafted for Absolut Art and chosen by the curators and artists to best fit the artworks.
The frames are magnetic so they are super easy to use - you can switch out your prints in a matter of minutes.
- 6 millimeter aluminum frames
- UV proof plexiglass
- Magnetic open / close
Certificate of Authenticity
Certified in style
All our artworks comes with a signed certificate of authenticity that is your guarantee.
Keep it safe, it’s valuable. And beautiful!
About Miranda July
Miranda is a poster child of diverse disciplines
“I grew up in Northern California, so Los Angeles always seemed forbidden, superficial and embarrassing. It’s all these things actually, but it’s also complex, diverse, unfathomable and still pretty cheap.”
Miranda July works in several disciplines such as filming, acting, art and writing. Despite the diverse set of mediums that she chooses to work with, similar ideas and themes seem to emerge: ordinary people doing radical things for personal reasons, the unknown, and businesses and systems. July’s collection of stories, “No One Belongs Here More Than You”, won the Frank O’Connor International Short Story Award and has been published in 23 countries. Her writing has also appeared in The Paris Review, Harper’s, and The New Yorker. July’s participatory art works include the website “Learning to Love You More” with artist Harrell Fletcher, a sculpture garden created for the 2009 Venice Biennale called “Eleven Heavy Things”, and a performance entitled “New Society”.
July has created a series of posters for her submission for Absolut Art. She reconsiders the social context of art that is conventionally hung on a wall with little engagement. Responding to this, July has created posters that invite viewers to pose with the work for a photograph, thereby establishing some form of active interaction.
Photo credit: The Guardian
Pet Woman (Staged) #2 by Juliette Bonneviot
pr20151007-MEMBG-225 by Marten Elder
