It's So Important to Seem Wonderful Part II Frame #12642
Samantha Culp & Andrea Hill
Both separately and together, Samantha Culp and Andrea Hill curate and produce innovative artist-led projects, most recently under the banner of their creative agency Paloma Powers.
Born and raised in Los Angeles, Culp recently returned after a decade in greater China. Her writing has appeared in publications such as Artforum, New York Times T Magazine, and LEAP (艺术节) and she has curated projects for Impakt Festival, Design Shanghai, and the Los Angeles Art Book Fair.
Hill was a founding team member and Creative Director of online auction house Paddle8, and her writing has appeared in Aperture, Performa Magazine, and Collectorspace, Istanbul. As a curator, she has also produced exhibitions for galleries (The Goma, Tanja Grunert Gallery), museums (Matadero Madrid), and universities (Wesleyan's Zilkha Gallery).
- 80 x 60 cm
- No of editions
We ship in 48 hours and if you are unhappy with your purchase, returns are free. (more info)
Our frames are off the wall
German crafted professional grade frames in black and white individually crafted for Absolut Art and chosen by the curators and artists to best fit the artworks.
The frames are magnetic so they are super easy to use - you can switch out your prints in a matter of minutes.
- 6 millimeter aluminum frames
- UV proof plexiglass
- Magnetic open / close
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About Casey Jane Ellison
Casey is a barrel of laughs
“People think my mole is fake, but it’s not.”
Bicoastal and bisexual, artist and comedian Casey Jane Ellison is inspired by paranoia, self-objectification, and the sexuality of politicians. Born and raised in Los Angeles, she is the host of a monthly comedy show called Otherwild Goods and Services, and is the creator of a talk show entitled Touching the Art. Ellison has presented videos and animations at MOCA, MoMA PS1, and the Museum of Arts and Design in New York. Adding to this cachet is her long list of media appearances, which includes the Wall Street Journal, Los Angeles Times, and The Guardian. For Absolut Art, Ellison has looked at her favourite animation works, and taken specific still frames from them as part of her submission.