As a freelance curator, Nadim Samman runs a non-commercial project space in Berlin. International and intellectual in approach, Samman was most recently the curator at the Thyssen-Bornemisza Art Contemporary (TBA21) in Vienna. He previously studied Philosophy at the University College London, before completing a PhD at the Courtauld Institute of Art. In 2012 he curated the 4th Marrakech Biennale with Carson Chan, and in 2014 established The Antarctic Pavilion at the 14th Venice Biennale of Architecture.
- 50 x 70 cm
- No of editions
- 10 (8 left)
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About Felix Kiessling
Meet the artist
Get to know Felix Kiessling
Felix's methodology is perfectly precise
“From a very young age, I have been driven by a spiralling feeling of standing on a planetary sphere without scale.”
Though he confesses to being no mathematician, precision and scale are key elements of Felix Kiessling’s body of work. Many of his pieces experiment with the ideas of space, emptiness, weight and gravitation. Whether it is an installation of rocks that are levitated in the air by a series of strings, or a sundial whose shadow always points to zero, Kiessling executes his ideas with a minimalist aesthetic that stands the test of time. Developing from the popular rock motif that appears in his work, Kiessling used a stone with an equivalent volume of 9.7 liters from Hamburg’s Elbe river as part of his submission for Absolut Art.