By Britta Thie
As a freelance curator, Nadim Samman runs a non-commercial project space in Berlin. International and intellectual in approach, Samman was most recently the curator at the Thyssen-Bornemisza Art Contemporary (TBA21) in Vienna. He previously studied Philosophy at the University College London, before completing a PhD at the Courtauld Institute of Art. In 2012 he curated the 4th Marrakech Biennale with Carson Chan, and in 2014 established The Antarctic Pavilion at the 14th Venice Biennale of Architecture.
- 50 x 70 cm
- No of editions
We ship in 48 hours and if you are unhappy with your purchase, returns are free. (more info)
Our frames are off the wall
German crafted professional grade frames in black and white individually crafted for Absolut Art and chosen by the curators and artists to best fit the artworks.
The frames are magnetic so they are super easy to use - you can switch out your prints in a matter of minutes.
- 6 millimeter aluminum frames
- UV proof plexiglass
- Magnetic open / close
Certificate of Authenticity
Certified in style
All our artworks comes with a signed certificate of authenticity that is your guarantee.
Keep it safe, it’s valuable. And beautiful!
About Britta Thie
Britta is a model on a mission
“My work for Absolut Art is essentially a campaign, advertising survival skills that also act as a guide to selfcommodification.”
Born in Minden, Britta Thie is a Berlin-based artist that explores the relationship between self and digital representation. This interest is motivated by her experience working as a fashion model for brands like Louis Vuitton and Jil Sander– one where Thie faced constant rejection because her appearance did not fit within a brand’s aesthetic. She then channels this experience and uses her body to examine the meaning of the human anatomy in a productdriven society. For Absolut Art, Thie has created a series of six photographs called “The Emotional Mobility Editorial”, modelled by herself, styled by Julia Burlingham and shot by fashion photographer Kerstin Zu Pan.