By John Knuth
Marc Le Blanc
Marc LeBlanc is a writer and independent curator. He cut his teeth producing solo and group exhibitions starting from 2001, when he owned 1R Gallery in Chicago. His most recent gallery group exhibitions include Unfinished Season (2014) in Galerie Nagel+Draxler in Cologne, and Anteriors (2011) in Kunstverein am Rosa-Luxemberg Platz, Berlin.
LeBlanc has also organised a number of events for NADA (New Art Dealers Alliance) including the recent X Poly Nation (2015) at Night Gallery, Los Angeles, and How To Build An Art Scene That Doesn't Fall Apart Two Days Later at Art Cologne (2015). He is currently the Curator of Events & Programming for Art Los Angeles Contemporary.
- 50 x 40 cm
- No of editions
We ship in 48 hours and if you are unhappy with your purchase, returns are free. (more info)
Our frames are off the wall
German crafted professional grade frames in black and white individually crafted for Absolut Art and chosen by the curators and artists to best fit the artworks.
The frames are magnetic so they are super easy to use - you can switch out your prints in a matter of minutes.
- 0.24" aluminum frames
- UV proof plexiglass
- Magnetic open / close
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Certified in style
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About John Knuth
John finds beauty in calamity
“My work entails an unusual number of ingredients, often found in the natural world and disaster survival kits.”
John Knuth is an artist without pretense, with a childhood that involved catching snakes and looking at Andy Warhol books. His art captures the beauty of chaos and panic, as he uses materials from disaster kits such as signal flares, fire, smoke and emergency blankets. Knuth has also lived in Los Angeles for 15 years, and is fascinated how people and materials are manipulated in such extreme ways that the end result is often transcendent and poetic. He has exhibited in Brand New Gallery in Milan, Marie Kirkegaard Gallery in Copenhagen and The Armory Center for the Arts in Los Angeles. Knuth’s submission for Absolut Art features a sandbag sculpture created at the edge of a beach at low-tide. The winding shape of the sculpture alludes to the form of a snake, which is a recurring motif in Knuth’s work.